Letters • November 2022

Getting It right

November 11, 2022

Marc,

I went back and reread your Ayre MX-R review, and you really seem to love the high frequencies of those amps but make no mention of the midrange. So when you state, as you have, that you lean toward tube amps -- which apparently no solid-state amp can equal in the midrange -- at the risk of beating a dead horse, I just have to ask if the Ayre amps compete in the critical midrange with tube amps, for the so-called "breath of life" and all the other benefits of tubes.

I really only have this one last chance to get it right. For the money I'm going to spend on my new speaker system, I really need the midrange/upper midrange to do its magic and provide the emotional experience that the best music and systems can accomplish.

Jeff Levine

The Ayre MX-R monoblocks, which I reviewed more than ten years ago, are not your typical solid-state amps, and while their mids don't have the warmth and fullness of many tube amps, the region is still very good -- a bit more about truth than beauty. That applies to most solid-state amps, and the ones it doesn't are usually so purposely colored that they are unsatisfying overall.

I completely understand needing to "get it right," given the cost of audio equipment today, but at the level of electronics you're considering, it's not really about right and wrong but tendencies and characteristics. I generally prefer tubes, but I own Lamm M1.2 hybrid monoblocks. Perhaps that says more about my preferences than I am willing to admit; they are very good amps that walk a fine sonic line very deftly -- and have both tubes and solid-state circuitry. Still, if I could afford Lamm ML2.2 SET monoblocks, I'd probably own them, as long as they would work with my chosen preamp and speakers. -Marc Mickelson

Added

November 1, 2022

Marc,

Can you add me to your e-mail list?

Irv Mason

You've been added. To join TAB's reader e-mail list and find out about new articles first, send e-mail to rl@theaudiobeat.com. -Marc Mickelson

 

© The Audio Beat • Nothing on this site may be reprinted or reused without permission.